Today, the word 'craft' is linked to a vast array of items, from handmade objects to microbreweries. The term 'artisanal' is so overused that it can strain our credulity. But this also reveals that the value of craft remains compelling in modern life. In this cogently argued book, Ezra Shales explores some of the key questions about craft: who makes it, what we mean when we think about a craft object and how that shapes our understanding of what craft is. Along the way, he continually upends our definitions and typical expectations of what we think is handcrafted or authentic. Shales's discussion ranges widely across people and objects: from potter Karen Karnes to weaver Jack Lenor Larsen, glass sculptor Dale Chihuly to Native American basket-maker Julia Parker, as well as younger makers such as Sopheap Pich and Maarten Baas, and to the porcelain and cast-iron sanitary ware produced by the Kohler Company, the pottery made in Stoke on Trent and the people in Asia today who weave beautiful things for IKEA.Engaging, pertinent and direct, the book ultimately encourages us to feel the shape of craft in our own lives.

Today when we hear the word "e;craft,"e; a whole host of things come immediately to mind: microbreweries, artisanal cheeses, and an array of handmade objects. Craft has become so overused, that it can grate on our ears as pretentious and strain our credulity. But its overuse also reveals just how compelling craft has become in modern life.In The Shape of Craft, Ezra Shales explores some of the key questions of craft: who makes it, what do we mean when we think about a crafted object, where and when crafted objects are made, and what this all means to our understanding of craft. He argues that, beyond the clichs, craft still adds texture to sterile modern homes and it provides many people with a livelihood, not just a hobby. Along the way, Shales upends our definition of what is handcrafted or authentic, revealing the contradictions in our expectations of craft. Craft is-and isn't-what we think.