Examines contemporary animation in Mexico-one of the most commercially successful and most understudied genres of the national cinema.
David S. Dalton is Associate Professor of Spanish and Latin American Studies at the University of North Carolina, Charlotte. He is the author of Robo Sacer: Necroliberalism and Cyborg Resistance in Mexican and Chicanx Dystopias and Mestizo Modernity: Race, Technology, and the Body in Postrevolutionary Mexico.
